My Dinner with Mick

When I was in my 20’s, in the Stone Age, I was married to a disc jockey and obsessed with Mick Jagger.  Several close friends and I had rich fantasies about him, so I arranged to write a story about Mick, covering the Rolling Stones’ European tour in 1970 for the Atlantic.Jagger_FentonI was kicked off  the tour after two days, for reasons I’ll explain, but I still had to do the story.  So I wrote a piece I thought was slight—embarrassingly slight.  I hadn’t looked at it in 40 years when I unearthed it last week.

I’m about to downsize, moving from a house in the foothills of the Rockies to a condo in the center of town. I’ve been purging my stuff, going through boxes I’ve been carting around for 30 years but never opened, which contain research files, notebooks, diaries and old articles. I pulled out a 1971 copy of the Atlantic with my story, “Mick Jagger Shoots Birds.” I started reading it and was surprised at how sharp and funny it was, not the embarrassment I’d remembered. Friends urged me to post it now, so I’ve done that below.


I flew to Copenhagen where the Stones were beginning the tour, and joined the crowd of reporters and photographers camped in the lobby of their hotel. I was wearing a lavender, form-fitting nightgown that, in those days, passed as a dress, and I’d straightened my long, then dark hair, so it hung to the center of my back.

003“They’re coming! The Stones!” people shouted. The hotel doors burst open and in they came, along with bodyguards and staff whose job was to keep “the boys” out of reach of the press and fans. The Stones were at their zenith of popularity then, with fresh songs that both created and reflected the zeitgeist: “Jumping Jack Flash,” “Sympathy for the Devil,” “Street Fighting Man.”

As they walked past me, Bobby Keys, the saxophone player who toured and recorded with the Stones, grabbed my arm.

“You play poker?” he said.

“Um… no.”

He shrugged. “Come and watch then.”

He pulled me into the elevator where I suddenly stood face to face with Mick. I went into shock. Bobby, obviously, thought I was a groupie, and the others started referring to me as “Bobby’s friend.” When we came out of the elevator and headed for Mick’s room, Bobby asked what I was doing in Copenhagen. “Actually, I’m a reporter,” I said. He stopped short, and blew out his breath. Then he said, “Don’t mention that,” and hustled me into Mick’s room

For the rest of the night, I sat paralyzed, afraid to speak, which supported their assumption that I was a groupie, a breed who have learned to be seen and not heard. While the boys played poker, smoked joints, and engaged in raunchy talk, I concentrated on memorizing what they said. I knew that if they found out who I was, I’d be cooked. Around midnight, I made up an excuse to tell Bobby  why I had to leave, and he urged me to come back the next day before the concert.

Bobby Keys, who played the saxophone solo on “Brown Sugar” and other hits, died of cirrhosis in 2014.

Bobby Keys, who played the saxophone solo on “Brown Sugar” and other hits, died of cirrhosis in 2014.

I rode with Bobby in the limo to the concert, then to the private dinner after the show, where I was seated smack across from Mick. One of the press reps for the Stones walked by, recognized me, and gave me the evil eye. I’m busted, I thought. But she said nothing. Not that night.

The following morning, when I walked through the lobby, she pulled me aside and told me I’d been unauthorized to “fraternize” with the boys. Bobby had been chastised, and I was persona non grata. I flew home feeling humiliated.

WHAT I WROTE in the Atlantic:

Jagger lay on his side on a couch, drinking Chateau Lafite-Rothschild from the bottle.  The hotel in Copenhagen faced the North Sea, and the windows were thrown wide open.  With him were three other members of the Rolling Stones and a few friends, playing poker, clowning, laughing, and rolling joints.  Mick lost all the money he had on him, borrowed some, lost that, threw in his socks, and finally his room key.  “There,” he said, laughing. “That’s worth a lot.”

It was the first night of the Stones’ Tour of Europe, 1970–eight countries, nineteen cities, in six weeks–and the kickoff, a press conference at the Marina Hotel, was a letdown for both press and Stones.  Reporters had come from all over Denmark, Sweden, Germany, and Austria.  The band walked in a half hour late with Jagger at the head, revved up and laughing, wearing a straw hat with flowers and ribbons on the brim.  He flopped in a chair and started banging the table.  “Can you hear the drums?” he called to guitarist Mick Taylor, and cackled.  Turning to the reporters, he said, “Good afternoon, children.  We’re here today to talk about religion.”

An Austrian newspaperman took over the conference.  Sitting at a table with pretzels and crackers, the Austrian asked what the Stones thought of bootleg records of their music.  Mick stuck out his foot in horror.  “We’ve been bootlegged, lads, it’s very painful!  No, we love bootlegs.  Music’s for everybody, we don’t really care.”

The Austrian said, “It’s been nine months since Altamont…”

“Let’s drink to that,” Mick said, tilting a bottle of Carlsberg beer to his mouth.

The Austrian asked, “How does it affect you that the Beatles are broken?”

Mick said, “It’s good for us.  I’m very sorry they broke up, but the Beatles don’t exist anymore. You’ve got to get it through your heads. There’s only us.”

The Austrian:  “What is your opinion about the problem drugs?”

Guitarist Keith Richards put his head down and sighed, “Come back tomorrow.”

The Austrian asked Mick about his role in the film, Ned Kelly. 

Mick:  “I didn’t like Ned Kelly.  Don’t bother seeing it.”

What about Performance?

Quite good film.”

The Austrian:  “The critics don’t say that.”

Mick:  “I say fuck you to the critics.  They write rubbish.  Any more questions, before we throw beer on you?  C’mon, you can do better, you really can. You get one question each, except that bloke in the center.” He pointed at the Austrian.  “He’s got the most aw-ful questions.  Look at him, he’s got a whole little setup of his own, sticks and nuts and beer.”  The Austrian looked radiant, and as no one else spoke, plowed on.  “How do you feel on the world politics?”

Mick:  “We’re not interested in politics.  We’re interested in music.  We like playing music, live, better than talking to you.”  He stood up. “Get me out of here.”

A Stones tour is like a presidential campaign, with identifying buttons, code words, security and advance men.  The musicians, even Jagger, wear large purple and white buttons because police can’t always distinguish the Stones from their fans.  Crew members wear red buttons, and guests blue.  All the Stones except Mick have their wives or girlfriends with them.

Chip Monck, who has staged rock festivals from Monterrey to Woodstock and Altamont, is in charge of producing the show.  He brought his crew from New York and had materials shipped from four countries.  Everything was assembled in Copenhagen the week before the tour started, and the crew held a dress rehearsal without the Stones, to see that the setup–two forty-foot aluminum towers, a truss, stage lights, and three sets of curtains–could be assembled in 8 hours and torn down in one.

All afternoon before the concert, young people rode bikes and scooters to the hall, looking for last-minute tickets.  (There were none.)  At 4 p.m., the crew spread a blue carpet with a starburst in its center on the stage and vacuumed it.  People sprawled about, drinking Cokes, witting for the Stones to arrive to rehearse.  Two Finnish girls, who had been there for days and managed to ingratiate themselves with the crew in exchange for blue guest buttons, walked back and forth chain-smoking.  They had limp straight hair and wore limp silk and velvet clothes.  One had painted a star on her forehead. A British crew member said to a friend, “Those two groupies are utterly stoned.  That’s why they look vacant. It’s disgusting.”

Suddenly, without anyone having seen him come in, Mick was on stage, playing the piano softly.  He walked around checking equipment, testing mikes and guitars, while the band gathered around drummer Charlie Watts.  Mick sang into the empty hall, thrusting his lips out in exaggerated motions.  He glided over the carpet as if he had wheels on his feet, like the pawns in table hockey games, and swung the mike around his body like a baton.  During “Sympathy for the Devil,” he arched his back, put one hand on his hip, let the other hang limp, and shuffled, knees floppy, head pecking forward, the length of the platform.

Jagger4When the gates opened that night, Danish kids filed in carrying orange drinks and programs in English.  It’s striking that while rock has pervaded the globe, it has remained an English-language medium.  All the Western European countries, and others such as Poland, Mexico, and Japan, have indigenous rock groups, but not one has achieved recognition beyond its national boundaries.  Rock has made English the international language of youth.

The lights went down and Mick came swooping out in a silver top hat, a black shirt with the sign of Leo on the chest, gold necklaces, a long white scarf, and black pants decorated with nail studs.  The Stones played the same songs as in rehearsal, but now there was an urgency, a fierceness.  Mick danced like a fiend, bumping and grinding with such force it seemed his spine might snap.  He worked harder with each song: punched his fists at the crowd, shrieked, crawled on all fours, leapt, did splits in the air.  The crowd cheered, but not as raucously as in America.

During “Midnight Rambler,” Mick took off his shoes and twirled them in the air, shed his hat and scarf, then took off his metal-studded belt, raised it high and, his face a snarl, whacked the belt on the ground.  Dust flew.  The crowd screamed. Mick cracked the whip three more times, with diminishing results.  He looked at Chip Monck and made a spiral motion with his hand.  The house lights came on–a trick Jagger perfected during the American tour.  Earlier, Chip had told me how it evolved:  “Every time there’s been a riot at a concert, the authorities say, ‘throw on the house lights, so we can see what damage they’re doing.”  It was Jagger’s idea to put on the lights in the middle of the show, so he could see the crowd.  “The minute we did it, there was a burst of energy,” Chip said.  “The whole audience moved.  It’s impossible for a performer to use the amount of energy Jagger does without some exchange of energy with the people.”

When the band hit “Street Fighting Man,” the staff and retinue hurried out to the limousines.  The Stones came straight off stage, out the door, and into the first limo.  They never heard the Danish kids clapping in unison, begging, in their polite way, for more.

Back at the hotel, the restaurant was closed to the public and an elegant long table had been set for the Stones.  The two Finnish girls drove up with the German press and sat in the bar, watching the party assemble.  Charlie, wearing a white t-shirt with red stars, took a seat at the head of the table.  “You know, lads, we’re better than we thought,” he said.

Mick came in, his face hidden under a bushy Afro wig.  Everyone laughed, and passed the wig around.  Makeup was running from Mick’s eyes, and he was still wearing his costume and jewelry–a gold serpent choker and a necklace strung with bullet cases, tusks, and animal feet.  One of his suitcases, lost the day before, had just been delivered.  “I had more stuff in there than I remembered.  Like white leotards,” he said with a laugh.

Charlie said, “Did you have a good time?”

“Yes,” Mick said.  “You could hear the drums beautifully where I was.  Every time you hit a roll it went right through me.  Keith was terrific tonight.  And Mick Taylor played a great solo on “Love in Vain.”  He never gets it on in rehearsal.  You know why?  He’s lazy.”

After hors d’oeuvres of shrimp, caviar, melon and prosciutto, the waiter brought out a tray of roast veal.  Mick and Charlie had ordered lamb.  The waiter stammered, “A mistake in the kitchen.”  Jagger mimicked the waiter’s accent:  “No weal!  We can’t eat weal, on moral principles.  We don’t like the way they kill the animals.” He drew a finger across his neck.  He accepted the veal, though, and after he’d taken a few bites, a German photographer walked up and called to him.  Mick stiffened, and looked aside guardedly.  The photographer said, “If you want one of those two girls, you should say so.”

Mick bounced around.  “Where?  Which two?  Come back.”  A few minutes later, one of the Finnish girls slouched out of the bar and into the lobby.  Mick studied her and grinned at Charlie and Keith.  “Oh, yes.  I like her.  Looks about fifteen.”  One of the wives went to scope out the girl, came back and said, “She’s horrid!”

Mick patted her hand.  “Now, now, it’s all a matter of taste.”  He nudged Charlie.   “Go and get that bird for me.”  Charlie laughed.



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32 thoughts on “My Dinner with Mick

  1. Martin Kimeldorf

    I just finished a short booklet called “writing an obituary worth reading”
    I seriously think you should take a look at it as you downsize…it’s really just a life review

  2. Barbara Alethea

    Loved reading your piece about Mick–one on the long time characters of my fantasy life! It really had me feeling like I was “back in the day”! Always a pleasure!

  3. Hamilton Fish

    Sara, a great vintage from another time, aided by your fine ear (and memory), great eye, each scene vivid and pulsating with the mischievous Mick. Kudos to the dogged Austrian, on behalf of his countrymen he finally found a way to put obstinacy to good purpose. And Chip Monck, how he must have inserted a self-conscious pause each time he spoke his unfortunate name. I’d forgotten that asterisk. Love the limp Finns. You captured an age with this one.

  4. Judy Cleborne

    Hi Sara, I am always excited to see your posts come up in my email. Another great story that we were lucky to glean from your past. Best wishes on the move. It is work to slog through collected boxes , but as you proved, it has moments of pride and happiness. Thank you, Judy

  5. Penny

    Hi Sara…thanks so much for sharing your article “My Dinner with Mick”…it certainly brought back some great memories of that special time…what a bold woman you were back then, and what a thrill that must have been. I loved your article too…nothing to be embarrassed about at all…

  6. annie metzger

    great to hear from you!!! i just love your emails. so entertaining and somehow it keeps me
    connected to you!!! will you be coming to l.a. or s.d. soon!!! would love to have lunch or
    dinner. maybe all three of us????? susie, you and me!!
    i send love and lots of hugs! also good luck on your move. the condo in the center of town
    sounds wonderful!

  7. Sandra Harmon

    Love the story. Thanks so much for sharing it with us. And you look solemn but adorable. Can you even imagine how many “birds” Mick has enjoyed since those days? .


  8. Colin

    I love your writing. You bring the scene alive with emotion, color & attitude. You could help my script by painting scenes with your flavorful desirous words!!!

  9. Richard Shane

    I LOVE IT !!! When they did the American leg of that 1970 tour, I saw them in Philly. Mick whipping his belt during “Midnight Rambler”—a peak experience.

    Thanks so much for allowing us “behind the scenes.”

    ~ richard

  10. gay schrag

    great story Sara! Yes, we were that young and yes, you were there!!!
    still love the Stones….. hope to see you soon… xoxo gay

  11. Judi Turner

    Once I saw the photo of you with the dark hair I totally recognized you, not just your name.
    Comment: well, I don’t feel like a snob, but the only kind of music I have ever been
    interested in is pop from the 60’s like Bing Crosby, Dean Martin, then Barbra Streisand, etc.and opera.
    I have never cared for singers who scream. I was never interested in people who drink and
    take drugs. So……Miss Goody Two Shoes hasn’t much to say about an article on the Rolling Stones.
    I think you are a great writer though, which is why I have read most of your books.
    Judi Turner

  12. douglas wisoff

    Hey Sara,
    that was a delightful blog post… really brought me back…great pic of Mick and awesome pic of you at age…hummm…19 🙂
    Hope your doing well!

  13. Terrence McNally

    Fun piece. Captured your/our youth and the times. I saw them in ’69 pre-Altamont – I suppose the US leg of the same tour – at the Boston Garden. Decided at the last minute, went alone, got there, and grabbed a ticket on the street for $2.50. Left my seat and wandered down to the front, ended up about 100 feet from Mick for $2.50. In ’81, I paid about $100 to sit a mile away at the LA Coliseum

    1. Alicia Bay Laurel

      What a vivid and beautifully composed piece! I thoroughly enjoyed it.

      I was not a Stones fan. Nonetheless, this account is a great piece of history on so many levels.

      And ooooh la la, the photo of you in 1970! No wonder the saxophone player grabbed your arm!

  14. John Sand

    Many thanks, Sara, for allowing us to experience vicariously your encounter with Mick and the Stones. They were not a part of my developing years, so the images and feelings you created gave me an insight into them- and the young you! Keep on sharing. John

  15. Charles Horowitz

    Fun to read. Wow, what a time you experienced! The Stones in their best period. And what an obnoxious egomaniac Mick sounded like. You caught him before rock stardom evolved into a set of predictable cliches, i.e. “remove the brown m & m’s from the m & m bowl” in the ryder.
    Last weekend I got great perspective on the last century from a BBC 4-part series, “The Century of the Self”
    It’s on Youtube in full.

  16. Joan Raderman

    What a great story to share with your grand kids Sara! Your amazing life is surely a gift for a lifetime of juicy stories like this one… I love it! Tell us more!
    Joan Raderman

  17. Maria Armstrong

    I remember this time through a child’s eyes; Timeless, the music, and Mick, Keith, and those who managed to live on. I love the music, as do my young daughters. Your writing (and photo) make it real. Keep this piece!

  18. Maureen Wesley

    I remember when you wrote about moving to Colorado…may this new edit bring unexpected pleasures.
    Today is Thursday, and enjoyed the throwback read. Have been reading the recent New York Magazine extended piece about the women who have come forward accusing Bill Cosby. Some of his apologists have raised the “but it was the 60’s!” flag. Your reference to Jagger’s predilection for, and easy access to, under age females (not a singular trait among rocker gods) makes me think about how fkuctuatung cultural mores cause some to be castigated and others not to be.

  19. enid murray-shirreff

    I loved reading your shenanigans with Mick Jagger. I got to know him quite well in the 80s when his daughter, Jade, was at school at St. Mary’s School, Calne, Wiltshire and I was the housemistress in the House she was in. It was a very high class English girls’ public school, and we saw quite a lot of Mick as Jade was quite a trouble maker! I had long talks with him as to how we could deal with the problem and I must say he was a very good father to her, saying to me to ring him any time there was a problem and he would come over. Jade’s mother was Bianca, but we hardly ever saw her. I guess he was in his forties then and married to Jerry, who came over for special occasions. I have a feeling, although I might be wrong, that Jade was expelled from the school after I left, so all our TLC would have been in vain! By the way love the photo of you, brings back memories of London! All the best. Enid.

  20. Linda Newton

    I hadn’t thought about English being the language of the young. This is just one example of your well written article. Please don’t throw out your diaries, et al. Maybe one of your children will keep your writing for the distant future. Perhaps the Oakland Museum could include some of your work in an exhibit. Thank you for sharing this.

  21. spense havlick

    As always you capture the poignant moments whether it be in Cuba or Copenhagen. I enjoy reading your blogs.
    Welcome to downtown Boulder.It would be fun to hear you write about the idiosyncrasies of this weird town.
    Thanks for sharing these gems with me from time to time.

  22. Mark Battat

    Thank you so much for sharing that article Sara. I always love reading your articles because you describe everything in just the right amount of detail. Right now all those early Stones songs are running through the memory reel in my head.

    Good luck on the move. The best thing I ever did was get rid of my enormous house and move to a condo. I got rid of half the junk in the process but truly the best part is that I have no homeowners responsibilities and I can literally shut the door and take off at a moment’s notice. It’s perfect.

  23. Elizabeth Quigley

    I really enjoy reading the stuff you wrote in the 60’s-70’s. I read it then and I have reread it since I rediscovered you electronically. In fact, I bought six copies of Loose Change on Amazon and sent them to my best friends and said we should each write our version of what we did between 1966- and 1986. (We all graduated from college in 1966 and went to California to teach) It would be some racy stuff and some great family stuff! A novel in the round is what I envisioned. And thanks to you, as the girls read your book, they were interested in telling our story and we have made some fits and starts. At least some of it will be told for our grandkids! Loved how you put yourself in the center of the 1970’s action and made stuff happen. May the Goddess’s Blessings be on you – I think of you as an old friend! Thanks! Elizabeth Quigley

  24. Joey bortnick

    Just saw the stones last wknd atDesert Trip! Still magical. Great piece of writing as usual Sara!

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